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  • Limited edition compact disc, 100 hand-numbered copies
    Compact Disc (CD)

    Comes in a stylish 4-panel digipack, with outside and inside cover paintings by Tímea Ferth

    Includes unlimited streaming of Rop På Hjälp via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Physical copies housed in stylish 4-panel digipack with transparent tray are available to order from 1 December, 2015

Martin Küchen: sopranino saxophone, kitchen gadgets, strings and sticks, water, old harmonium case, toy electronics
Herman Müntzing: flexichord, metal, wood and plastic things, mandoline, toy synth, megaphone, failtronics, contact microphones

All music by Martin Küchen & Herman Müntzing (STIM)
Recorded at Loplay Studio, Lund, Sweden, 23/6/2014
Mixed and mastered by Jens Lodén
Paintings by Tímea Ferth
Graphic design by László Szakács

Swedish saxophone virtuoso Martin Küchen (1966) feels equally at home in free jazz bands and in projects which move towards the avantgarde. He has been active on the free jazz scene since the mid-nineties, when he performed on the streets and in Stockholm metro stations. By now, he became one of leading new voices in contemporary improvised music, leading bands like Trespass Trio, Angles and All Included. His recent collaborations include duos with Keith Rowe, Dimitra Lazaridou-Chatzigoga or Steve Noble. / martinkuchen.com

Swedish musician Herman Müntzing (1964) is mainly interested in the fields of improvised and experimental music. Since the late nineties he has been working as a musician and educator with different Swedish and international groups, and has collaborated with Phil Minton, Eugene Chadbourne, Lotte Anker, Sten Sandell, Mats Lindström, Raymond Strid and Martin Klapper. He is giving lectures and workshops in many different situations, often striving for a new approach to the boundaries between sound, noise and music. / hermanmuntzing.com

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released December 1, 2015

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Inexhaustible Editions London, UK

Inexhaustible Editions is a tiny bedroom label for acoustic and/or electronic improvisation, modern compostion and other strange and beautiful sounds we’d love to see released...

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